It’s About Jamming

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I love to jam. Jamming is truly “bluegrass in its most natural habitat”… more than performing (in a circle you can really see and hear each other). Bluegrass Banjo Heaven-on-Earth is when you’re in a good bluegrass jam. The teamwork and spontaneity are fun — bluegrass at its essence.… Read More

Pete Wernick Looks Back and Looks Ahead

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If you got into bluegrass in the 1970s, you probably first became aware of Pete Wernick as half of the twin banjo tag team (along with Tony Trischka) from the New York State band Country Cooking. Or maybe you bought one of the first copies of his best-selling instruction book “Bluegrass Banjo” from Oak Publications. (Remember those flexi-discs?) … Read More

Why Teachers Should Offer Jam Classes

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Almost every aspiring musician dreams of playing music with other people. And any way you slice it, bluegrass banjo is an element of bluegrass music, a group effort, a teaming of instruments and voices. Yet very little bluegrass teaching stresses interactive skills. But it could, and it should!… Read More

Wernick Method Progess…and How YOU Can Improve in 2012

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This month I host my 28th annual Winter Banjo Camps, three weeks of full banjo-immersion in Boulder, Colorado. These are about the only Banjo Camps I teach any more, mainly teaching Jam Camps instead. I was recently asked why. Simple: At every Banjo Camp, I kept finding that most students’ main need was to play more music with other people…. Yet many of them rarely if ever did that, and some had no clue how.… Read More

Jam Skills Checklist; Flag Day Banjo Op; Remembering Carlton Haney

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Here we are again, beginning of summer. Are you ready to hit the festivals, do some fun listening, visiting, and jamming? If you’re one of those still stymied by the mysteries of jamming, no matter how well you can play lead arrangements by yourself, the checklist below might just cut through the confusing landscape.… Read More

The Groove, Jam Classes, Skin

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Bill writes: I’ve looked all over your site to find information about developing a groove or flow but I can’t find it. I play with a group here and sometimes we have it, sometimes we don’t. What are some pointers when playing with others to develop this feeling? What are the roles of the different instruments such as banjo, mandolin, guitar, and bass that create this?… Read More

Jam Class Teacher Network; My Take on Tab/Rote Learning

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I am proud to announce this month the launch of my Wernick Method Teacher Certified Jam Classes. As you dear readers may well know, I have for some time been championing learning to jam first as a fun and fundamental way to start playing any bluegrass instrument. Great things happen when people learn to jam, because it’s fun and so involving that they’re motivated—to play more and practice more.… Read More

A New Direction for Teaching and Learning Bluegrass Music

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The best bluegrass teaching is tuned to a student’s motivating desire to play music in a social context. Novices should be taught basic rhythm playing right away on slow easy songs first, following simple chord changes by watching a guitar. This is the beginning and the foundation of “playing real bluegrass” and comes with enough rewards to spark practicing and preparation. As new skills are learned, they are immediately applied to the jam, building enjoyment and motivation.It’s fun and it’s fundamental!… Read More