I love to jam. Jamming is truly “bluegrass in its most natural habitat”… more than performing (in a circle you can really see and hear each other). Bluegrass Banjo Heaven-on-Earth is when you’re in a good bluegrass jam. The teamwork and spontaneity are fun — bluegrass at its essence.… Read More
I’ve noted that some of my fellow BNL columnists run amok at times, discussing non-banjo things. I rarely run amok, ahem, but for my first column of 2014, I’d like to probe the wisdom of the ages—to make a point about 21st century banjo of course.… Read More
Holidays can be the best of times, often with families close at hand. Gift-giving is on our minds, with the challenge: “enjoyable and useful” to the recipient.
Kids in the 8-18 zone but also adults of any age are prime candidates to receive a musical instrument. Notice I didn’t just say “banjo”…sometimes the best thing a banjo player (you, I presume) can give a relative is an instrument that goes well with a banjo!… Read More
I’ve been teaching banjo almost 50 years now. Though most banjo teaching addresses typical technical challenges, I have some pet non-technical topics, to steer a player toward better music and more fun on the instrument.… Read More
You’re reading this not long after I’m writing it, September 8, just after a concert of one of my all-time heroes, the amazing Pete Seeger, who gives new meaning to the word “venerable.” Anyone might wonder, “can he still do this?” but as always, it was a damn good concert, and a testament in spades to Pete’s ideals of music and community reinforcing each other. … Read More
Ah youth! I still remember my years as a teenaged musician and how much excitement and energy I had for learning and playing bluegrass. Fifty years later, I love to be around kids in that state of mind. Kids today have it better than we had it, I tell you!… Read More
Almost every aspiring musician dreams of playing music with other people. And any way you slice it, bluegrass banjo is an element of bluegrass music, a group effort, a teaming of instruments and voices. Yet very little bluegrass teaching stresses interactive skills. But it could, and it should!… Read More
This month I host my 28th annual Winter Banjo Camps, three weeks of full banjo-immersion in Boulder, Colorado. These are about the only Banjo Camps I teach any more, mainly teaching Jam Camps instead. I was recently asked why. Simple: At every Banjo Camp, I kept finding that most students’ main need was to play more music with other people…. Yet many of them rarely if ever did that, and some had no clue how.… Read More
The following ideas have served my students well since I developed them in the 1960s and 70s. They have been presented in my “Bluegrass Banjo” book (1974), my ten Homespun instructional videos, and over 150 music camps I’ve hosted since 1980. The student evaluation forms I’ve used since the late 1980s give clear evidence that they work.… Read More
One hundred years ago there was not much pavement in America, no such thing as an old car or a world war. Bill Monroe was born Sept. 13, 1911—the youngest of 8, cross-eyed and a loner, who took up mandolin because it was the only instrument the others weren’t playing. … Read More